On May 23, 2010 Jim was awarded the coveted New York Drama Desk Award for Best Solo Performance of the 2009-2010 theatre season. Over the past few years, Jim has been leading a double life – both as himself and as the great Zero Mostel in his multi-award winning play, Zero Hour.
Since its premiere in 2006 Jim has been touring the country with the show, garnering both unanimous critical raves and major theatrical honors. Beside the Drama Desk, he has won The Ovation Award in Los Angeles (Best Play), the Carbonell Award of South Florida (Best Actor), the Helen Hayes Award in Washington, DC, (Best Actor) as well the Trifecta of New York Nominations: The Drama Desk, The Lucille Lortel and The Outer Critics Circle Award (all for Best Solo Performance of 2010).
Prior to taking on Zero, Jim was in New York City starring in his Off-Broadway hit, The Big Voice: God or Merman? which he also wrote. The New York Times called it: “Triumphant and side-splitting – a hilarious and utterly enthralling evening of musical theatre.”
In 2005, Jim was nominated by the Los Angeles Ovation Awards as Best Actor in a Musical for “The Big Voice”, an honor he won from both the Palm Springs Desert Star Awards and the Valley Theatre League ADA Awards. “The Big Voice: God or Merman?” was also given the Ovation Award as Best Musical, presented to himself and composer-partner, Steve Schalchlin, by the legendary Jerry Herman.
His life was forever changed on June 20, 1959 – the day he saw his father’s friend in a show. Dad’s friend was Ethel Merman and the show was Gypsy. When people asked him what he wanted to be when he grew up, he would respond instantly, “A priest!” When Miss Merman asked him that question on the stage of the Broadway Theatre he responded instantly, “An actor!”
A native of Brooklyn, Jim produced his first show two months later, a charity revue featuring the Bay Ridge neighborhood kids named The Flagg Court Follies of 1959.
After four years at La Salle Military Academy where he was nicknamed Sergeant Bilko, he studied drama at Carnegie-Mellon University, where his classmate was Stephen Schwartz, he returned to New York, received his BA in English from St. Francis College (Brooklyn) and made his Broadway debut (on stage at Town Hall) as Christopher Sly in a very bad revival of “The Taming Of The Shrew.”
His off-Broadway credits include “Berkeley Square” with Christopher Reeve at the Manhattan Theatre Club, Robert Lowell’s “Endicott And The Red Cross” at the American Place Theatre at St. Clement’s, Ephraim Kishon’s “Unfair To Goliath” at the Cherry Lane, Marvin Gordon’s “To Be Or Not To Be…” at The Barbizon Plaza; “Skye” at Lincoln Center and Frank Loesser’s “Greenwillow” for the Equity Library Theatre.
While working as a young stage actor, he appeared in two legendary television commercials – first as a dancing raisin for Post Raisin Bran and then as the “Lemon from Outer Space” with Madge the Manicurist for Palmolive. His television work includes regular stints as Father James on “All My Children,” Judge Julius Weyburn on “The Young and The Restless,” Officer Jerry Chandler on the cult-classic “Mary Hartman, Mary Hartman” and the befuddled bailiff on NBC’s “Sirota’s Court” with Michael Constantine. Although the part was small, he can also boast that he made his motion picture debut in “The Gang That Couldn’t Shoot Straight” opposite another newcomer, Robert DeNiro.
His acting career has taken him to regional stages all over the United States, including the Washington Theatre Club in D.C., the Alliance Theatre in Atlanta, The Invisible Theatre in Tucson, two seasons at the Goodspeed Opera House where he originated the role of Flint in “Something’s Afoot,” Theatre Building Chicago, Stages Repertory Theatre in Houston, the Trinity Arts Center in Dallas and the DejaVu Theatre in Los Angeles - where he won the Backstage West Award as Best Actor for his performance as Marvin in Robert Patrick’s “T-Shirts.”
While playing Tevye at the Waldo Astoria Dinner Theatre in Kansas City, Missouri – he wrote his first play “Cookin’ With Gus” which was immediately published by Samuel French and has since been performed all over the United States and has been translated into several languages for productions all over the world. A huge hit in Quebec, Canada; it was recently taped in French by HBO.
One play led to another and soon Jim was writing full time. For the theatre, he has written the comedies “The Lucky O’Learys” with Kathleen Freeman, “Fat Chance” with Virginia Capers, “The Lady Of The House” with Rue McClanahan and the off-Broadway smash hit musical, “The Last Session”, which he also directed.
After “The Last Session’s” New York run (for which he received Drama League and Outer Critics Circle Nominations), the show was named by the Los Angeles Times as one of the ten best plays of the 1998-1999 Los Angeles season, garnering him the Oscar Wilde Award and the GLAAD Media Award. Brochu won another Backstage West Award for his direction of the show, along with the Los Angeles Drama Critic’s Circle Award as playwright.
In 1988 he got an offer he couldn’t refuse - a call from his idol, Lucille Ball, who had read his play “The Lucky O’Learys” and thought it would be perfect for herself and Audrey Meadows. By the time he finished writing the pilot for 20th Century Fox, Miss Ball was not up to doing the project and it never developed. However, what did develop was a deep friendship between Ball and Brochu that resulted in them spending almost every afternoon together until she died in 1989. Jim chronicled Lucy’s life as she told it to him over the backgammon table in his book, “Lucy In The Afternoon,” published by William Morrow and named as an alternate selection by The Literary Guild Book Club.
Jim currently lives in Los Angeles where, between theatrical assignments, he travels on the great cruise ships all over the world lecturing about Broadway, Hollywood and the stars with whom he has worked. He is an active member of the Dramatists Guild, the Screen Actors Guild, Actors Equity Association and remains, as the New York Times called him, a true “Man Of The Theatre”.
He is a proud member of Actors Equity Association, the Screen Actors Guild and The Dramatists Guild. His caricature hangs on the wall of the legendary Sardi’s Restaurant in New York, a singular tribute to a forty year show business career as an actor and playwright.
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Photo Gallery | Zero Hour Homepage | The Last Session Homepage | The Big Voice: God or Merman? Homepage | ContactJim's Bio in Pictures
Jim's caricature is in the Main Dining Room
of Sardi's Restaurant, next to Ethel Merman.
In 2005, he and his partner Steve Schalchlin won the 2005 Los Angeles Stage Alliance Ovation Award for the show "The Big Voice: God or Merman?" as Best Musical, presented by legendary Broadway composer, Jerry Herman.
Jerry Herman presents the OvationIn 2003, Jim picked up two Theatre L.A. Ovation Award nominations: Best Actor in a Musical for his performance in The Big Voice: God or Merman? - for playing himself, and with composer-partner Steve Schalchlin, for Best Musical. The Big Voice also won the 2003 Los Angeles Drama Critics Circle Award for Best Score of a Musical and was included in the Top 10 Best Theatre Lists in both Los Angeles and Dallas that year.
Jim with fellow Ovation Nominees Marie Cain, Lily Tomlin, Steve Schalchlin
and presenter Marge Champion in the middle.Jim won the 2006 Ovation Award for Best New Play for Zero Hour, his one-man tribute to the great stage giant, Zero Mostel. The show has played to enormous success around the country and is currently slated to open in New York in the Spirng of 2008.
Oh yes, that's Raisin Jim on the left.
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While working as a stage actor, he appeared in two legendary television commercials: first as a Dancing Raisin for Post Raisin Bran and then as the "Lemon from Outer Space" with Madge the Manicurist for Palmolive.
He appeared opposite Bea Arthur in several episodes of Maude and with Telly Savalas on Kojak.
While playing Tevye at the Waldo Astoria Dinner Theatre in Kansas City, Missouri – he bet the producer that he could write a bad play in a week and won the bet. The play, Cookin’ With Gus, must not have been as bad as he thought since it was immediately published by Samuel French.
He vowed not to write for TV until he got an offer he couldn’t refuse - a call from his idol, Lucille Ball, who had read his play The Lucky O’Learys and thought it would be a perfect vehicle for herself and Audrey Meadows.
THE LAST SESSION (l. to r.) Tony nominee Bob Stillman, Grace Garland, Steven Bienskie, Amy Coleman
He branched into directing with a production of Cole Porter’s Can Can starring Yvonne DeCarlo at the Tropicana Hotel in Atlantic City and has gone on to helm over 35 productions, working with stars such as John Travolta, Carol Channing, Donald O’Connor, Garry Marshall, Sid Caesar, Red Buttons, Jerry Lewis, Florence Henderson, Donny Osmond, Larry Hagman, Rip Taylor, Carol Lawrence, Betty Garrett, Brian Stokes Mitchell, Edie Adams, Fayard Nicolas, Penny Singleton, JoAnne Worley, Perry King, Robert Morse, Peter Allen and Christopher Reeve.
Here's Jim with some of the greats he's known and worked with....
Carol Channing
Katharine Hepburn
John Travolta
Ruth Warrick Sheila McRae
Christopher Reeve
Fayard Nicolas
Tommy Tune
Jean Stapleton
Peter Allen
Stevie Wonder
Eddie & Edward Albert
Betty Garrett Kevin McCarthyAs a producer, he has presented sixteen shows including the World Premiere of Tom Dulack’s Shooting Craps with Harold Gould; the American premiere of Ben Elton’s Popcorn with Maxwell Caulfield and David Faustino; the Los Angeles premiere of Over The River And Through The Woods with Joseph Campenella and Carol Lawrence, Ray Cooney’s Out Of Order starring Mr. Cooney, Anne Rogers, Robert Mandan and Ian Abercrombie, The Play’s The Thing starring Hal Linden, Save It For The Stage starring Charles Nelson Reilly and James Prideaux’s The Last of Mrs. Lincoln with Marcia Rodd, both winners of the 2001 Artistic Director Achievement Award as Best Comedy and Drama Productions.
Jim and Los Angeles Mayor Richard J. RiordanOn November 6, 2000 Jim and his partner of twenty years, Steve Schalchlin, were presented a plaque from Mayor Richard Riordan on behalf of the City of Los Angeles for their contribution to the Arts and for improving the quality of life to the city.
In May of 2002, he was chosen by John Kander and Fred Ebb to direct the 30th anniversary production of their 70, Girls, 70 starring Charlotte Rae, Marni Nixon, Jane Kean and William Schallert at the El Portal Center for The Arts.
Jim with Marni Nixon, Jane Kean, Charlotte Rae, Robert Mandan, William Schallert
and the cast of 70, Girls, 70Jim currently lives in Los Angeles where, between theatrical assignments, he travels all over the world lecturing about Broadway, Hollywood and the legendary stars with whom he has worked. He is an active member of the Dramatists Guild, Actors Equity Association, the Society of Stage Directors and Choreographers and remains, as the New York Times called him, a true “Man Of The Theatre. “
In May, 2005 The Big Voice: God or Merman? was nominated for a second GLAAD Media Award as Best Off-Off Broadway production for its six performance run as part of the first New York Musical Theatre festival and opened Off-Broadway at the Actors Temple Theatre, 338 West 47th Street, New York 90036. Performances begin on November 16, 2006. The New York Times called the show "Triumphant - a hilarious and utterly enthralling evening of musical theatre." The show ran for 156 performances and closed on May 30, 2007.
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